Exhibition Review – After Impressionism: Inventing Modern Art at the National Gallery from 25 March to 13 August 2023

The National Gallery presents a major new exhibition of around a hundred paintings and sculptures by artists such as Cezanne, Van Gogh, Rodin, Picasso, Matisse, Klimt, Käthe Kollwitz, Sonia Delaunay, Kandinsky and Mondrian. The exhibition is entitled After Impressionism: Inventing Modern Art and includes some of the most important works of art created between 1886 and around 1914.
While celebrating Paris as the international artistic capital, the exhibition also focuses on the exciting and often revolutionary artistic developments across other European cities during this period. Starting with the achievements of Cezanne, Van Gogh, Gauguin and Rodin, visitors are able to journey through the art of the late 19th and early 20th centuries created in cities such as Paris, Barcelona, Berlin, Brussels and Vienna.
The exhibition explores some of the main themes in the development of the visual arts in Europe at this time especially the break with conventional representation of the human form and external world towards towards the creation of art which experiments with line, colour, surface, texture and pattern.
The first-room Introduction to the exhibition features two by Pierre Puvis de Chavannes and Paul Cezanne, framed by two sculptures by Auguste Rodin (Auguste Rodin Monument to Balzac, 1898, plaster;) and The Walking Man (L’Homme qui marche, 1905-7, bronze).
The room called Pivotal Figures presents the works mainly of four influential artists, Cézanne, Van Gogh, Gauguin and Edgar Degas. Each of these artist’s in this period represented a major shift in the art world which was felt in Paris and elsewhere in Europe.
The Different Paths gallery makes the point that artists were generally not following a particular school but looking for their own artist voice. Works featured in this section include Louis Anquetin, Emile Bernard, Henri de Toulouse-Lautrec and Georges Seurat.
There was some artists that collaborated like the group of young French artists that formed The Nabis (or ‘Prophets’).
The rooms dedicated to New Voices: Barcelona and Brussels, and New Voices: Vienna and Berlin illustrates that each city had its own group of artists experimenting with a new visual language.
The rooms, New Terrains I and II outlines the many routes taken by artists at the beginning of the 20th-century. The rooms feature works by Picasso, Matisse, Kandinsky and Piet Mondrian.
This fascinating exhibition provides plenty of insights into a particular period of time when artists paid homage to the past but were interested to create new visual approaches to their art. It is no coincidence that this was part of a wider cultural change in which many areas of the world were undergoing considerable social change due to industrialisation. Technological advances were creating a new world and the art world was not immune from its influence. The modern world seemed full of possibilities compared with the past.
The exhibition illustrates this exciting period in Europe before the horrors of modern warfare bought the hope of a new age to a new realism which ironically saw the past in a very different light.
Visiting London Guide Rating – Highly Recommended
For more information and tickets, visit the National Gallery website here
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Case Celebrates 100 Years at 170 Piccadilly
This year, Case Luggage is celebrating the 100th Anniversary of their store at 170 Piccadilly. Since its founding in 1923, the store has been a reassuring presence for customers seeking high-quality luggage, travel accessories, and expert advice. Standing near Old Bond Street, Case over the last century has built a reputation as one of the finest independent luggage stores.
170 Piccadilly, the current home of Case has a fascinating history being on the site of the Egyptian House and the “Egyptian Hall”. Originally built in 1812, the “Egyptian Hall” which was built as a museum to hold the collection of William Bullock. He was a keen traveller and wished to display the items he brought back with him, to members of the public. In 1819 the building was converted into an exhibition hall & it remained in this format until 1905. It was then demolished & a block of flats with office & retail space was created.
In 1923, the Revelation luggage store opened at 170 Piccadilly. The store was famous for selling the first ever expanding suitcase, as well as hat boxes, & vanity cases.
The store survived the war years offering the premium collection of luggage serving royalty, noblemen, and dignitaries amongst others. Over the years, Case has offered customers the combination of exceptional service and a wide range of luggage options. From the latest designs to timeless classics, the store offers luggage products that cater to every travel need and style preference.
Revelation changed its name to Case in 2000 and the store at 170 Piccadilly has always stayed ahead of the game when it comes to luggage innovation and has adapted to changing travel trends over the years. Today, the store offers a wide range of sustainable and eco-friendly luggage options, including bags made from recycled materials and brands that prioritize ethical and sustainable production.
As part of the 100th-anniversary celebrations, Case will be offering special discounts and promotions throughout the month of April 2023. One lucky customer will win their entire purchase refunded back to them when a competition is drawn in May. Ten customers also have the chance to win a £250 voucher to spend online.
In an everchanging retail world, London is blessed with a number of stores and shops that have stood the test of time. Case at 170 Piccadilly illustrates the merit to providing quality products with a great personal service.
For more information, visit the Case website here
London Visitors is the official blog for the Visiting London Guide .com website. The website was developed to bring practical advice and latest up to date news and reviews of events in London.
Since our launch in 2014 , we have attracted thousands of readers each month, the site is constantly updated.
We have sections on Museums and Art Galleries, Transport, Food and Drink, Places to Stay, Security, Music, Sport, Books and many more.
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Americana: London’s Newest Southern American Restaurant in the heart of London
If you are looking for a taste of the American South, why not try Americana, a new Southern American restaurant, which has officially launched in Haymarket, in the heart of London’s Theatreland. The restaurant offers a friendly atmosphere with plenty of Southern hospitality and is the great destination for both business people, tourists and theatre-goers looking for a unique dining experience.
The restaurant’s menu boasts a selection of authentic Southern American dishes, including the signature Gumbo and Jambalaya, along with a variety of other classic and creative options. The restaurant’s menu boasts a wide selection of authentic Southern classics to provide a Southern American culinary experience.
After spending several years living in Southern America, General Manager Howard Berry was inspired to bring the rich and flavourful cuisine of classic Southern Dinner dishes to London through the new restaurant. With a deep appreciation for the warmth and hospitality of the South, he was keen to bring the same spirit into the restaurant’s atmosphere and service.
In addition to the food, Americana offers a premium selection of American wines, as well as other top quality wines from around the world. Their signature cocktails include infusions carefully crafted in-house, adding a unique touch to the cocktail experience.
The décor at Americana provides a touch of Southern warmth and glamour. It provides the perfect backdrop for a Americana dining and wining experience.
Located in a prime spot on Haymarket, Americana offers the perfect spot for business people looking for a relaxed and sophisticated place for a business lunch or to grab dinner after work. It’s also an ideal location for theatre enthusiasts and artists to gather and meet friends pre- and post-show, with its close proximity to London’s West End Theatre and Americana’s late opening times provide plenty of opportunities to settle down and enjoy the ambience after a hard day’s work or play.
Open 7 days a week until the early hours, Americana offers a variety of menus, including a late night menu and a brunch menu on weekends, the space includes a bar and mezzanine as well as the main restaurant, making it the great choice for any occasion.
Americana London: 11 Haymarket, London SW1Y 4BP
Monday: 5.00pm – 1.00am
Tuesday: 12.00pm – 1.00am
Wednesday — Friday: 12.00pm – 3.00am
Saturday — Sunday: 11.00am – 3.00am
For more information, visit the Americana website here
London Visitors is the official blog for the Visiting London Guide .com website. The website was developed to bring practical advice and latest up to date news and reviews of events in London.
Since our launch in 2014 , we have attracted thousands of readers each month, the site is constantly updated.
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Style & Society: Dressing the Georgians at The Queen’s Gallery from 21 April to 8 October 2023
Royal Collection Trust / © His Majesty King Charles III 2023
A major exhibition at The Queen’s Gallery, Buckingham Palace will reveal life in the 18th century through the fashions of the day. Style & Society: Dressing the Georgians will bring together over 200 works from the Royal Collection, including paintings, prints and drawings by artists such as Gainsborough, Zoffany and Hogarth, as well as rare surviving examples of clothing and accessories.
British, Court dress, c.1740–60. © Fashion Museum Bath
The exhibition will build up a picture of what the Georgians wore and charts the transformation of clothing from the accession of George I in 1714 to the death of George IV in 1830.
Royal Collection Trust / © His Majesty King Charles III 2023
At the heart of the exhibition will be a rarely displayed, full-length portrait of Queen Charlotte by Thomas Gainsborough, c.1781, which usually hangs in the White Drawing Room at Windsor Castle. The painting will be shown alongside a beautifully preserved gown of a similar style, worn at Queen Charlotte’s court in the 1760s, on loan from the Fashion Museum Bath. On display for the first time will be Queen Charlotte’s book of psalms, covered in the only silk fabric known to survive from one of her dresses. As textiles were highly prized, Georgian clothing was constantly recycled, even by the royal family, and there was a thriving market for second-hand clothes.
Fashion on the streets of Georgian Britain became a spectator sport with new locations for fashionable display including pleasure gardens, coffee houses and theatres. The painting St James’s Park and the Mall (British School, c.1745) brings to life the hustle and bustle of 18th-century London’s most fashionable meeting place and provides a snapshot of Georgian society.
Royal Collection Trust / © His Majesty King Charles III 2023
Britain empire expanded its global reach during the 18th century and styles and fabrics from the Ottoman Empire, India and China were incorporated into everyday dress. In a portrait of Madame de Pompadour, Louis XV’s mistress wears a floral gown, possibly made of painted silk imported from China.
Royal Collection Trust / © His Majesty King Charles III 2023
In William Hogarth’s c.1757–64 portrait of the celebrated actor-manager David Garrick and his dancer wife Eva-Maria Veigel, Veigel chose to wear a gown in a distinctive shade of yellow. The colour was revered in China due to its association with the emperor and became popular in Britain at this time during a craze for chinoiserie.
Royal Collection Trust / © His Majesty King Charles III 2023
Knee breeches were worn by men for most of the 18th century; examples on display will include those depicted in Thomas Gainsborough’s portrait of the musician Johann Christian Fischer, 1774–80, and a red silk-velvet court suit from the 1760s, remarkably like that worn by Fischer, loaned by the Fashion Museum Bath. However, by the end of the Georgian period, upper-class men adopted trousers for the first time. The future George IV and Lord Byron were early adopters of the new style, as shown in a portrait of Lord Byron by George Sanders, c.1807–8.
Royal Collection Trust / © His Majesty King Charles III 2023
The fashions of the period were used caricaturists to illustrate the absurdities of Georgian life. In the never-before-displayed New Invented Elastic Breeches, 1784, Thomas Rowlandson depicts a large man being manhandled into a small pair of leather breeches by two tailors.
The exhibition will include items of jewellery from Queen Charlotte’s collection, such as a diamond ring featuring a miniature of her husband George III, given to her on her wedding day. Other accessories on display will include beautiful English and French fans and jewel-encrusted snuffboxes.
The exhibition will reveal how the Georgians ushered in many of the cultural trends we know today, including the first stylists and influencers, the birth of a specialised fashion press and the development of shopping as a leisure activity.
For more information, visit the Royal Collection website here
London Visitors is the official blog for the Visiting London Guide .com website. The website was developed to bring practical advice and latest up to date news and reviews of events in London.
Since our launch in 2014 , we have attracted thousands of readers each month, the site is constantly updated.
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The Rossettis at Tate Britain from 6 April to 24 September 2023
Dante Gabriel Rossetti – Paolo and Francesca da Rimini 1855
© Tate Purchased with assistance from Sir Arthur Du Cros Bt and Sir Otto Beit KCMG through the Art Fund 1916
In April 2023 Tate Britain will present a major exhibition charting the romance and radicalism of the Rossetti generation – Dante Gabriel, Christina and Elizabeth (neé Siddal) – showcasing their revolutionary approach to life, love and art.
Dante Gabriel Rossetti – Proserpine 1874 © Tate
Moving through and beyond the Pre-Raphaelite years, the exhibition will feature 150 paintings and drawings as well as photography, design, poetry and more. This will be the first retrospective of Dante Gabriel Rossetti at Tate and the largest exhibition of his iconic pictures in two decades. It will also be the first full retrospective of Elizabeth Siddal for 30 years, featuring her rare surviving watercolours and important drawings.
Christina Rossetti – Goblin Market 1865 © Tate
Christina and Dante Gabriel’s poetry will be interwoven with the artworks through spoken word and beautifully illustrated editions of their work.
Dante Gabriel Rossetti – Ecce Ancilla Domini (The Annunciation) 1849-50 Purchased 1886 © Tate
The Rossettis blended past and present to reinvent art and life for a fast-changing modern world. The children of an Italian revolutionary exile, they grew up in London in a scholarly family and they began their artistic careers as teenagers. The exhibition will begin with a celebration of their young talent, opening with Dante Gabriel’s Ecce Ancilla Domine (The Annunciation) 1850. This will be shown with an immersive installation of Christina’s poetry, as well as examples of Dante Gabriel’s teenage drawings, reflecting his precocious skill and his enthusiasm for original voices like William Blake and Edgar Allan Poe.
Dante Gabriel Rossetti – Found 1854-1855/1859-1881 © Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935
Works from the Pre-Raphaelite years will demonstrate how the spirit of popular revolution inspired these artists to initiate the first British avant-garde movement, rebelling against the Royal Academy’s dominance over artistic style and content. Works such as Dante Gabriel’s Found begun 1854, Elizabeth Siddal’s Lady Clare 1857 and Christina’s famous poem The Goblin Market 1859 will show how they questioned love in an unequal and materialist world. Following new research, the surviving watercolours of Elizabeth Siddal will also be shown in a two-way dialogue with contemporary works by Dante Gabriel, exploring modern love in jewel-like medieval settings.
Dante Gabriel Rossetti Bocca Baciata 1859 © Museum of Fine Arts Boston
The exhibition will take a fresh look at the fascinating myths surrounding the unconventional relationships between Dante Gabriel, Elizabeth Siddal, Fanny Cornforth and Jane Morris. The poetic portraits from the later part of Dante Gabriel’s career, such as Bocca Baciata 1859, Beata Beatrix c.1864-70 and The Beloved 1865-73, will be shown in the context of the achievements and experiences of the working women who modelled for them.
Dante Gabriel Rossetti Bocca Baciata 1859 © Museum of Fine Arts Boston
Alongside art and poetry, visitors will also be able to experience how the Rossettis’ lifestyles transformed the domestic interior through contemporary furniture, clothing and design. The exhibition will conclude by showing how the Rossettis inspired the following generations and how they continue to influence radical art and culture to this day.
For more information or to book tickets, visit the Tate Britain website here
London Visitors is the official blog for the Visiting London Guide .com website. The website was developed to bring practical advice and latest up to date news and reviews of events in London.
Since our launch in January 2014, we have attracted thousands of readers each month, the site is constantly updated.
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A Great and Dirty City: Dickens and the London Fog at the Charles Dickens Museum from 29 March to 22 October 2023
‘There was nothing very cheerful in the climate’ – Arthur Rackham illustration for 1915 edition of A Christmas Carol
Among the many subjects in the books of Charles Dickens, the fog which hangs over the city of London is one of the most unusual. London’s famous ‘pea souper’ grew more dense during Dickens’s living years as the city’s population grew and the Industrial Revolution spewed out waste and smoke.
Nineteenth century Wax model of Joe the ‘Fat Boy’ from The Pickwick Papers in a glass bell jar to keep clean from smoke and soot. © Charles Dickens Museum London
A new exhibition at Charles Dickens’s London home explores the London fog to explore the inspiration provided by the London phenomenon. A Great and Dirty City: Dickens and the London Fog runs from 29 March – 22 October 2023 at the Charles Dickens Museum at 48 Doughty Street, Holborn, the home of Dickens and his family in the late 1830s.
Maltese bobbin lace handkerchief owned by Charles and Catherine Dickens. Handkerchiefs were used to cover people’s mouths and noses during dense fog. © Charles Dickens Museum London.
From the opening of Bleak House with ‘Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snowflakes’ to David Copperfield’s early glimpses of London (‘From the windows of my room I saw all London lying in the distance like a great vapour, with here and there some lights twinkling through it’) to the ‘blinking, wheezing, and choking’ of Our Mutual Friend, the ‘London ivy’ works its way into Dickens’s writing throughout his life.
‘Dot and John’, original pencil drawing by John Leech depicting an open fire for Dickens’s Novella, Cricket on the Hearth. In other cities such as Birmingham industrial smoke was the main cause of pollution, in London it was domestic fires that were mainly responsible for smoke and fog due to the expanding population.© Charles Dickens Museum London.
When Dickens and his young family moved into 48 Doughty Street, now the Museum, London’s population was rocketing and the city’s smog would never have been thicker, as increasing numbers of households warmed themselves before coal fires and worked in fossil fuel-powered factories. The exhibition will explore the fog, how it affected Dickens’s work, his family’s and his own health, and how London has attempted and invariably failed to tackle the problem of pollution over the past 200 years.
Hearth stone installed by Dickens in 48 Doughty Street. © Charles Dickens Museum London.
The Dickens family’s like many others contributed to the problem using coal to heat the house. The exhibition will include Dickens’s own fire poker from the dining room at Gad’s Hill Place, his home from 1856 until his death in 1870.
Scene from Dickens’s novel Martin Chuzzlewit depicting two characters kissing in the fog, sepia wash illustration by Fred Barnard, © Charles Dickens Museum, London.
Among the items on display, including original first edition parts of Dickens’s Bleak House, is an original pen and wash illustration by Frederick Barnard, who was employed by Dickens’s publisher, Chapman & Hall, to illustrate the ‘Household Edition’ of nine of Dickens’s works (1871-1879). The drawing shows Martin Chuzzlewit, Mary Graham, and Mark Tapley and relates to this passage from the novel: ‘Seeing that there was no one near, and that Mark was still intent upon the fog, he not only looked at her lips, but kissed them in the bargain.’
Letter from Charles Dickens to Helen Dickens, 16 July 1860. © Charles Dickens Museum London.
The exhibition also features a letter from Dickens to his sister-in-law Helen Dickens on 16 July 1860, in which he writes about his brother Alfred’s current illness: an impaired state of health – especially after pleurisy – so often leads to inflammation in the region of the lungs… a better or kinder nurse I know he could not have anywhere; Alfred died eleven days later.
A Great and Dirty City: Dickens and the London Fog
The Charles Dickens Museum, 48-49 Doughty Street, London WC1N 2LX
Dates: 29 March – 22 October 2023.
Opening hours: 10am to 5pm, Wednesday – Sunday (closed Mondays and Tuesdays)
For more information or to book tickets, visit the Charles Dickens Museum website here
London Visitors is the official blog for the Visiting London Guide .com website. The website was developed to bring practical advice and latest up to date news and reviews of events in London.
Since our launch in January 2014, we have attracted thousands of readers each month, the site is constantly updated.
We have sections on Museums and Art Galleries, Transport, Food and Drink, Places to Stay, Security, Music, Sport, Books and many more.
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Donatello: Sculpting the Renaissance at the V&A from 11 February – 11 June 2023
Installation shot of ‘Donatello Sculpting the Renaissance’ at the V&A (c) Victoria and Albert Museum, London
Donatello: Sculpting the Renaissance is the first major UK exhibition to explore the exceptional talents of the Renaissance master, Donatello. It explores the artist and his impact on both the cultural and artistic development of this crucial time in the history of art.
Installation shot of ‘Donatello Sculpting the Renaissance’ at the V&A (c) Victoria and Albert Museum, London
The exhibition explores Donatello’s innovations, collaborations and inspirations within the artistic and cultural context of fifteenth-century Italy, and his influence on subsequent generations of artists.
Installation shot of ‘Donatello Sculpting the Renaissance’ at the V&A (c) Victoria and Albert Museum, London
Considered one of the great sculptors, Donatello (c.1386-1466) used a full range of sculptural materials and techniques, including marble, bronze, wood, terracotta and stucco, he contributed to major commissions of church and state; was an intimate of the Medici family and their circle in Florence, and was highly sought after in other Italian centres.
Installation shot of ‘Donatello Sculpting the Renaissance’ at the V&A (c) Victoria and Albert Museum, London
The exhibition showcases works never seen before in the UK including Donatello’s early marble David and bronze Attis-Amorino from the Museo Nazionale del Bargello, Florence, as well as the reliquary bust of San Rossore from the Museo Nazionale di San Matteo, Pisa, and bronzes from the High Altar of the Basilica of St Anthony in Padua.
Installation shot of ‘Donatello Sculpting the Renaissance’ at the V&A (c) Victoria and Albert Museum, London
For the first time, the V&A’s shallow relief of the Ascension with Christ giving the keys to St Peter is displayed alongside the Madonna of the Clouds from the Museum of Fine Arts, Boston, and Desiderio da Settignano’s Panciatichi Madonna from the Museo Nazionale del Bargello, providing an exclusive opportunity to see these works together.
Installation shot of ‘Donatello Sculpting the Renaissance’ at the V&A (c) Victoria and Albert Museum, London
Through exceptional loans, the exhibition offers visitors a unique vision of Donatello’s genius, focusing primarily on Donatello’s lifetime and immediate followers, the exhibition combines a thematic approach with chronology, considering the inter-relationship between sculpture, paintings, drawings and goldsmiths’ work.
Installation shot of ‘Donatello Sculpting the Renaissance’ at the V&A (c) Victoria and Albert Museum, London
Key works by Donatello are complemented by carefully selected works by Donatello’s contemporaries and followers that explore and expand on the sculptor’s major place within the development of Renaissance art. Comprising around 130 objects, the exhibition incorporates a significant number of objects from the V&A’s own collections including the most extensive holdings of Italian Renaissance sculpture outside Italy notably from the Medieval & Renaissance Galleries.
For more information and tickets, visit the V & A website here
London Visitors is the official blog for the Visiting London Guide .com website. The website was developed to bring practical advice and latest up to date news and reviews of events in London.
Since our launch in 2014 , we have attracted thousands of readers each month, the site is constantly updated.
We have sections on Museums and Art Galleries, Transport, Food and Drink, Places to Stay, Security, Music, Sport, Books and many more.
There are also hundreds of links to interesting articles on our blog.
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The King’s Stamp Exhibition at the Postal Museum from 8 February to 3 September 2023
King Charles III definitive stamp. Photo (c) The Postal Museum
There is a little piece of history in the new exhibition opens in February at The Postal Museum in London to coincide with Royal Mail’s release of a new definitive stamp design for the UK, for the reign of King Charles III.
White metal insignia pattern of crown and cypher of EIIR for use on letter boxes, (c) The Postal Museum
The exhibition displays treasures from The Postal Museum’s British philatelic (stamp) collection, dating back to 1840. The exhibition will culminate in the newest design for the reign of King Charles III, the 7th monarch to feature on British stamps. The story of definitive (everyday) stamps is revealed from the very first design, the famous Penny Black featuring Queen Victoria, to today. Visitors will see rare and valuable stamps from the reigns of seven monarchs.
Highlights include:
Installing The King’s Stamp (c) The Postal Museum
The first and only chance to see a sheet of Kings Charles III’s definitive stamps
before they are released.
A sheet of Edward VII ‘Tyrian Plum’ stamps displayed for the first time at the
museum, one of only two sheets in existence, both held in The Postal Museum’s
collection.
Queen Victoria Definitive Proof, Penny Black, 1840, (c) The Postal Museum
Printing proofs showing how the first stamp, the famous Penny Black, was
developed.
A sheet of Two Penny Blue stamps, 1840, (c) The Postal Museum
Artworks showing how royal cyphers for letter boxes and postal vehicles have been
developed and produced from Queen Victoria to Queen Elizabeth II, displayed for the
first time.
Famous Trains 1985 Essays approved by HM The Queen, 1985,(c) The Postal Museum
This special exhibition is included with entry to The Postal Museum.
Tickets include 1x ride on Mail Rail on your first visit and unlimited entry to The Postal Museum’s
galleries and exhibitions for one year from the date of your first visit.
Online Prices
Adult (25+) £16
Young Person (16-24) £11
Child (3-15) £9
Disabled Adult + companion £14
Disabled Young Person + companion £9
Disabled Child + companion £7
Audio Guide (Downloadable in EN, FR,
ES, IT, DE. Own smartphone required) £2.99
For more information and tickets, visit the Postal museum website here
London Visitors is the official blog for the Visiting London Guide .com website. The website was developed to bring practical advice and latest up to date news and reviews of events in London.
Since our launch in January 2014, we have attracted thousands of readers each month, the site is constantly updated.
We have sections on Museums and Art Galleries, Transport, Food and Drink, Places to Stay, Security, Music, Sport, Books and many more.
There are also hundreds of links to interesting articles on our blog.
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Freud’s Antiquity: Object, Idea, Desire at the Freud Museum from 25 February to 16 July 2023
The objects, ornaments, pictures and books which surrounded the father of psychoanalysis, Sigmund Freud, as he analysed his patients in London and Vienna, will be at the centre of an investigative new exhibition in his Hampstead home. Freud’s Antiquity will examine the densely packed displays in Freud’s study to explore the layers of meaning, power and significance attached to each object and the reasons why they were of crucial importance to Freud.
Freud’s study contains a vast array of items from, or inspired by, the ancient world. For the new exhibition, twenty-five key objects, books and prints, each normally hidden from view, will be selected and taken from Freud’s study for special attention and investigation at close range, to illustrate how Freud’s collecting was bound up with his development of the concepts and methods of psychoanalysis.
Freud’s Antiquity runs from 25 February to 16 July 2023 at the Freud Museum at 20 Maresfield Gardens, Hampstead, the final home of Sigmund Freud (1856-1939) and his daughter Anna Freud (1895-1982), the pioneering child psychoanalyst.
Just before the Second World War, the Freud family came to England as refugees, having escaped Austria following the Nazi annexation in 1938. At the heart of the Freud Museum in the Hampstead house is Sigmund Freud’s study which contains his famous psychoanalytic couch and is the room in which Freud died. Freud worked and saw patients in the study, surrounded by thousands of antiquities.
The exhibition asks a number of questions about how the objects were related to Freudian psychoanalysis. In his work, Freud repeatedly brought together psychoanalysis and archaeology, viewing psychoanalysts searching for forgotten memories and fantasies as archaeologists digging into the soil for artefacts.
Exhibition visitors will be able to make their own deep dives under the surface of the exhibition into a comprehensive digital archive, containing podcasts, videos, rotating images and written commentary. Co-curated with Professor Miriam Leonard (UCL), Professor Daniel Orrells (Kings College, London) and Professor Richard Armstrong (University of Houston), the exhibition and accompanying digital archive discuss six separate aspects of Freudian theory alongside objects from the collection, spanning his entire psychoanalytic career.
Freud’s Antiquity
The Freud Museum, 20 Maresfield Gardens, Hampstead, London NW3 5SX.
Dates: 25 February – 16 July 2023.
Opening hours: 10.30am – 5pm, Wednesday to Sunday.
For more information and tickets, visit the Freud museum website here
London Visitors is the official blog for the Visiting London Guide .com website. The website was developed to bring practical advice and latest up to date news and reviews of events in London.
Since our launch in January 2014, we have attracted thousands of readers each month, the site is constantly updated.
We have sections on Museums and Art Galleries, Transport, Food and Drink, Places to Stay, Security, Music, Sport, Books and many more.
There are also hundreds of links to interesting articles on our blog.
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After Impressionism: Inventing Modern Art at the National Gallery from 25 March to 13 August 2023
André Derain La Danse, 1906; Private Collection © ADAGP, Paris and DACS, London 2023 / photo courtesy of the owner
A major new exhibition of around a hundred paintings and sculptures by artists such as Cezanne, Van Gogh, Rodin, Picasso, Matisse, Klimt, Käthe Kollwitz, Sonia Delaunay, Kandinsky and Mondrian opens at the National Gallery next March.
With loans from museums and private collections around the world After Impressionism: Inventing Modern Art (25 March – 13 August 2023), includes some of the most important works of art created between 1886 and around 1914.
Paul Cezanne Mont Sainte-Victoire, 1902-6; Gift of Helen Tyson Madeira, 1977 © Philadelphia Museum of Art
While celebrating Paris as the international artistic capital, the exhibition also focuses on the exciting and often revolutionary artistic developments across other European cities during this period. Starting with the achievements of Cezanne, Van Gogh, Gauguin and Rodin, visitors are able to journey through the art of the late 19th and early 20th centuries created in cities such as Paris, Barcelona, Berlin, Brussels and Vienna.
Paul Gauguin Vision of the Sermon (Jacob Wrestling with the Angel), 1888 © National Galleries of Scotland, Edinburgh
Highlights of this wide-ranging international survey include André Derain’s La Danse (Private Collection), Edgar Degas’s Dancers in the Foyer (Ny Carlsberg Glyptotek, Copenhagen); Paul Cézanne’s Grandes Baigneuses (National Gallery, London); Edvard Munch’s The Death Bed (KODE Art Museums, Bergen); Paul Gauguin’s Vision of the Sermon (Jacob Wrestling with the Angel) (National Galleries of Scotland, Edinburgh); Camille Claudel’s L’Implorante (Nogent sur Seine, Musée Camille Claudel); and Lovis Corinth’s Nana, Female Nude (Saint Louis Art Museum, St Louis.).
Georges Seurat The Channel of Gravelines, Grand Fort-Philippe, 1890 © National Gallery, London;
The exhibition consists of around a hundred works, mostly paintings but also including a careful selection of innovative sculpture including Rodin’s (Auguste Rodin Monument to Balzac, 1898, plaster; and The Walking Man (L’Homme qui marche, 1905-7, bronze; Musée Rodin, Paris).
For more information and tickets, visit the National Gallery website here
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